inTone Variants
inTone | Guitar
inTone | Guitar turns your computer into a powerful guitar effect processor.
Highlights
- Highly optimized low latency VST host application
- Opens software effects for live performances at home, on stage or in the studio. A complete set of effects is included, 3rd party plug-ins can be used, too.
- Utilizes multichannel audio interfaces and allows flexible assignments of inputs and outputs. It also offers audio file playback and recording.
- Instruments, MIDI controllers, software instruments and effects, and ReWire applications: It is all connected in one system with inTone | Guitar.
- One mouse click, one key shortcut, one MIDI controller touch, to switch to another, completely different setup.
- Quick and easy selection of presets, web sharing of presets, high quality of sound.
inTone | Bass
inTone | Bass turns your computer into a powerful bass effect processor, amp and speaker simulator.
inTone | Bass is a very close relative of inTone | Guitar. The two share almost all properties and the biggest difference is in the included effects: Some of them have been modified, so that their processing algorithm better fits the sound properties of a bass guitar. Also the default program bank contains presets made specially for the bass.
inTone | Keys
inTone | Keys turns your computer into a keyboard kingdom. And you will be the king!
Highlights
- Connects MIDI keyboards and controllers to software synths and effects for live performances at home, on stage or in the studio. These connections are flexible allowing you to create zones and layers. Several instruments played from one keyboard. Several keyboards playing one instrument.
- Utilizes multichannel audio interfaces and allows flexible assignments of synth outputs. It also offers audio file playback and recording.
- MIDI keyboards, synthesizers, hardware sound modules, software instruments and effects, 3rd party plug-ins and ReWire applications: they are all connected in one system with inTone | Keys.
- One mouse click, one key shortcut, one MIDI controller touch, to switch to another, completely different setup.
inTone | Matrix
inTone | Matrix turns your computer into a powerful 32-channel effect processor.
Highlights
- Can be connected to auxes and inserts of your mixing console or used as independent mixer and patchbay.
- Quick and easy selection of presets, high sound quality of the included effects.
- Hardware effects, software instruments and effects, 3rd party plug-ins and ReWire applications can be connected to inTone and integrated into one system.
- Any computer with a multichannel audio interface can serve as several multi-effect processors in parallel and serial chaining.
inTone | Matrix is available in two versions:
- Express is suitable for smaller setups.
- Pro can open up to 128 effects, assign them to 32 individual inputs and 16 output pairs.
Using inTone Matrix with a mixing console
- Aux connections: Use any software effects as Aux effects for live mixing
- Inserts: Use any software effects as Insert effects for live mixing
- Controlling hardware by MIDI: Use inTone as powerful MIDI control center. Any hardware effect modules with MIDI program change capability (or even with assignable MIDI controllers) can be handled the same way as software effects - under full control with inTone Matrix.
- Super fast configuration changes. No searching for preset files, just one-click or one MIDI command reconfigures the system.
Using inTone Matrix for live processing without a mixer
- Inserts: Use any software effects as Aux effects for live mixing
- Built-in mixing and routing. The mixing levels as well as the input to output channel mapping is stored in inTone programs, they can be retrieved by one click or by a MIDI program change, just as snapshots on HW mixers do. The saved setups may be rearranged in included inSpector application and new preset banks with desired selections can be easily created.
Using inTone Matrix as a patchbay
- Patchbay function. If you don't need effect processing, inTone Matrix can be used as a patchbay. Without effects, the channel reconfigurations are so fast that there are no audible drop outs in the processed signal.

